Friday, April 30, 2010

Test Questions

1. What was scandalous about the death of Father Zossima? The odor of corruption

2. Who is Smerdyakov's mother? Stinking Lizaveta

3. What are two of the great lessons of Father Zossima? Everyone is responsible for everyone else. Paradise is everywhere (not geography, but mental)

4. Who actually murdered Old Man Karamazov? Smerdyakov

5. How did Smerdyakov die? He hanged himself

6. What are the court scenes depicting? The corrupt questioning of the western legal system

7. Grand Inquisitor - parable about Christ returning to earth again to give human kind free will. He is arrested again and is executed again because people want to be told what to do by the church through miracles

8. How does each brother contribute to the death of Old Man Karamazov?
Smerdyakov - killed him
Dmitri - wanted to kill Fydor
Ivan - gave ideas that he approved of it
Alyosha - did nothing to prevent it

9. What was the evidence that convicted Dmitri? Katerina's letter

10. Which character in the novel is critical of Alyosha but later becomes his disicple? Koyla

11. Who did Anne see as the tragic hero of the novel? Ilyusha

12. Who did Hamlet accidentally kill behind the curtain? Polonius Who did he think was behind the curtain? Claudius

13. Who is the only other character that can compare to the wit of Hamlet? The grave digger

Wednesday, April 28, 2010

The Last Blog

I wonder where the time has gone. It seems to be just the other day I was typing up the first blog. However, everything has to come to an end eventually. Fortunately, the experiences leading all the way up to this final blog I can treasure a time beyond this point. The class experience has been a good one with many shares of laughs and most importantly knowledge. I feel my way of thinking about and interpreting literature have been widened a great deal. I must have been partially blind before not to have really acknowledged that there are no original stories, only retellings. It's not that I didn't already make connections between obvious similarities between novels, art, music, ect. It's hard to explain. All I can say is that it has more to do with what I know now that I didn't know before. Unfortunately, I'm low on time to express all the things I've learned as much as I would have liked to. In short, I've enjoyed the class and the adventure has given me much to treasure beyond the upcoming last day of class.

My Paper

The True Judge
The illustration of injustice is retold continually throughout The Brothers Karamazov: Snegiryov’s beating, the patron’s murder of the widow, the wrongful conviction of Dmitri, ect. These instances of crime are articulated as an offense against God, in which the man-made, legal system fails to prosecute justly. The courts are nothing more than a mockery of justice as emphasized in the consistency of wrongful convictions and unresolved injustices. Where society is unable to effectively punish criminals, the role of religion becomes important to impose the guilt to uncover the true judge. For the only judge able to deliver effective punishment throughout the novel is found in the conscience.
The jurisdiction of man is emphasized as unjust first with the anecdote of Father Zossima’s mysterious visitor and again in Dmitri’s trial. Dostoevsky heavily conveys how assumptions of the court are created on the feeble foundation of circumstantial evidence and unreliable witnesses in both cases of crime. The philanthropist was able to escape detection due to the circumstances of rising suspicion against one of the widow’s serfs, Pytor. The serf was tried for murder based only on circumstantial evidence and witnesses proclaiming his threats of murder. Although Pytor died before his trial reached a jurisdiction, the court and townspeople remained convinced he was guilty and investigated no further into the murder. A similar injustice reoccurred in Dmitri’s trial. The court was heavily influenced to falsely accuse Dmitri on the basis of false statements and the circumstantial evidence the lawyers greedily gathered from unreliable witnesses and Dmitri, himself.
The judgment of man is not only proven unjust, but unable to reform the convict. As Father Zossima explained in book two, chapter five, “mechanical punishment…only embitters the heart” and proceeds to turn the wrongdoer against society. The punishment Kolya inflicted upon Ilusha only succeeded in hardening the young boy into a threat to society. The court’s sentences of hard labor and prior flogging only seemed to increase the number of crimes. Father Zossima further claimed that the only effective punishment is rooted “in the recognition of sin by conscience” (p 66).
The felons in the novel only confirm Zossima’s claim. Years after the patron murdered, his conscience began to trouble him. He suffered in silence for fourteen years haunted by the blood he had shed. At first he thought of suicide, but his resolution was to admit to his crime. He admitted he accepted continuing his agony if only to spare his wife and children from the truth. Although Father Zossima had been there to help the patron to confess, the philanthropist’s conscience had already decided what he was to do. Dmitri is another example of Zossima’s assertion.
Twice Dmitri faced the faced his conscience. First, after the incident in the garden, Dmitri confessed he must punish himself. Convinced he had taken the life of Grigory, another living creature, his conscience had already decided the punishment to take his own life. Again he faced his conscience before his trial. He comes to acknowledge that although he did not kill his father, he shares a part of the responsibility as well as realize his many other sins. Before the court decided his fate, Dmitri had already come to the conclusion he must suffer through the hard labor in Siberia to redeem himself.
In both cases of criminal activity, it is not the man-made legal system that is able to examine the convict and give punishment justly. Dmitri and the philanthropist under go the process of acknowledging their sins and suffering to find redemption through their conscience. Thus, with the courts unjust and the conscience prevailing to punish and reform, the role of religion becomes more important in the process of finding the true judge.
In book two, Father Zossima’s response to Ivan implies it is through the church that man will find the true judge, the conscience. In recognizing the offense against God, the criminals will realize the offense against society. While society will turn away from the criminal, the church will not judge or deliver a punishment of moral condemnation and offers pity. If the criminal does not recognize himself as a member of the Church he’ll be left in a state of despair with nothing else to lose. The fear of moral condemnation helps to impose a sense of guilt and a desire to find redemption.
The novel emphasizes that man is unqualified to judge one another. The criminal justice system fails to open to the truth of the situations and often harden the heart. The courts are blinded by conclusions entangled in circumstantial evidence and unreliable witnesses as proven with the philanthropist and Dmitri. The church acknowledges that being human, it cannot pass judgment and will only remain friendly to the criminal and offer pity. However, if neither the court nor the church is able to be a just judge for punishment and set a path for redemption, there is little else for the criminal to turn to for judgment. In search for redemption, the criminal’s conscience becomes the only judge on which can be relied for a just punishment.

Tuesday, April 27, 2010

Plagiarism: Is it avoidable

I recall from the first groups presentation an interesting question was brought to the table. Is plagiarism avoidable? I'd have to say this kind of an awkward question to answer. I am leaning toward no, but at the same time a part of me wants to say yes. As we've already discovered there are no original stories...so to me no matter the attempt everything will be a retelling in some way or another. It's gotta be impossible not to plagiarize. After all changing and rearranging words cannot make it your own when the same message has already been said before. Still I lean toward yes only due to the idea of stealing word for word - not a good thing, not that changing and rearranging words makes it any better though. It really can't be possible not to plagiarize when looking at the ideas being repeated...

Tragic Sense of Life 2

So I did a bit of googling on the tragic sense of life and found this particular site: http://www.columbia.edu/~rr322/Tragedy.html

I found it interesting that the tragic sense of life has more to do with internal interpretations and meaning of events rather than external events alone, which I suppose makes sense. It brought to light that tragedy tends to bring about the most common question: "Who am I?" The tragic hero will strive to expand his understanding and sometimes to a hazardous extent. Hamlet consumed my thoughts when I read through this. "To be or not to be?" He practically looses his mind at times trying to figure things out. The only problem with stretching knowledge to uncover truth, is that it is virtually impossible to accomplish. After all the tragic hero goes through and all the risks he/she takes in the end he/she will never really be able to satisfy this quest.

Another Retelling

By chance I came across a sort of retelling of Ivan's rebellion a while ago in the movie A Walk To Remember. The conversation took place between the two main characters Jamie and Landon. It went something like this:

Jamie: This...stuff. I -- I have my beliefs, I have faith, but don't you?

Landon: No. There's too much bad **** in the this world

Jamie: Without suffering there'd be no compassion.

Landon: Yeah, well tell that to those who suffer.

It's only a short bit. The topic was tied into a few other conversations throughout the movie, however I found this particular snippet to be the clearest retelling.

Friday, April 16, 2010

GROUP 6 MEETING

Group 6 members we changed the time from noon to 6 pm at the library on Sunday.